Pound of Fakes

The news last week reported that three members of a money counterfeiting ring had been charged, and that the largest ever haul of fake pound coins had been seized. Even the BBC won’t let the facts get in the way of a good headline, as the £4m of fakes was actually four million blanks, and a hundred thousand finished coins. When the police or customs gleefully report a quantity of drugs being taken away from smugglers or suppliers, they calculate the value based on the entire bounty being sold in street deals – which is very unlikely to be the actual value of the commodity, and far more than the perpetrators would have paid or received for it. Counterfeit money is really worth around 20% of the face value, as this is what the producers can sell it for.

You could say that making money in this way is a victimless crime… How many people have fakes in their pockets right now? And what proportion of those will encounter difficulties carrying out their transactions? You can easily swap your fake pound coin for goods and services with an over the counter purchase. So if that pound coin looks (quite like) a pound coin, and can be used to buy a pounds worth of something, who is to say it is not a pound? I have had more difficulty with trying to use real Northern Irish and Scottish banknotes in a pub than with handing over decidedly suspect coinage, which was almost certainly given to me in change during my last to the bar! The only time that problems arise is when using machines that test the weight, and the inability to pay for a parking space or use of a toll bridge can have expensive consequences, in respect of time if not financially. Perhaps you should carry a supply of Swaziland Lilangeni just in case, as these are apparently the correct size and weight to act as pound coin substitutes, but are only worth around 7.5p at today’s exchange rate.

Warning – The fact remains that you are a committing a criminal act when you spend any bogus bucks, and you are taking a risk every time you carry out transactions unless you rigorously check your change for naughty nuggets (apologies for the awful alliteration). You are excused if the act was unwitting and no-one has yet been prosecuted for the unintended use of forgeries.

The quantity of Four Million!!! coins sounds incredible, and it is hard to even imagine this number is physical terms, but it is less than a tenth of the total currently believed to be in circulation. This proportion has reportedly doubled in a decade, but the figures are decidedly dodgy – some sources cite 50 million fakes, out of a 1.5 billion total circulation, or around 3%, but it could be up to 5% given that this is a prolific growth industry. In 2008 one in fifty coins was a fake, now it is one in thirty – At what threshold does the system stop working, and we have to reissue the pound coin?

Young aspiring criminals may take note of these crimes, and the risk/reward ratio for blue collar and financial crime. What about insider dealing and manipulating the markets? It is nigh on impossible to be convicted of these crimes and even then the penalties can be tolerated, just ask Ernest Saunders – assuming he hasn’t relapsed after recovering from pre-senile dementia. Some of his alleged conspirators have made a number of appeals due to the perceived injustice, and those involved in the second Guinness trial were not convicted of any crime.

3 Pounds of Fakes.

This piece produced by Pragyan in 2011 is a continuation of a series from the Zen and The Art of Making Money exhibition – which included One pound Sterling, A Pound of Fakes and A Pound of Holes.

It contains 118 counterfeit pounds (which weigh 1120g, or 3 Troy Pounds) and there are some tall and amusing tales regarding how they were acquired, often paying more than face value!

Setting the price for his work was an integral part of Prag’s art. He turned the equation on it’s head so these fakes are worth 5 times the value of real coins. This and the original A Pound of Fakes (which used 39 coins) are “signed” for authenticity by including one of the singular currency replicas, but the value of this is already included in the price tag.

What is the intrinsic difference between these “fake” pound coins and those supplied by the Bank of England? As they are made from a Nickel/Brass alloy they have no value without being part of a monetary system, unlike my old shillings and florins that are now worth around 20 times their face value thanks to the silver content.

These days it is only a special type of coin, produced for commemorative or investing purposes, that is made from precious metal. So why not invest in “New Pounds”, replicas of the original Singular Currency, which are carved from a sheet of solid silver? So far these have been produced as very limited special editions, and are a numismatists wet dream!

If the currency is authenticated and has a place in history then their value could be many times the “face value” in years to come.

The perfect positioning for New Pounds would be as a high value token in a Local Exchange Trading System, like the Lewes Pound, as this would mean that the limited supply would not be an issue. However, if they became the common currency of the numerous UK LETS then we would have to reconsider production and return to the need for workshops and apprentices. If LETS could be connected together by use of a shared currency it would remove some of the current barriers to their wider acceptance.

Footnote.
The most prolific known forger of pound coins was arrested in 2007. In a small workshop in Enfield he produced 14 million coins over a period of seven years, and although a significant proportion of these were in an unfinished state, it was still over 50% of the total thought to be in circulation.

Designs

The current workshop includes masters for various designs.  Templates used for scribing each design should be made from Aluminium, and some of these are still in development.

Stars

Some of these pieces are very old and on loan from the owners, having acquired battle scars in the interim.  Once the templates have been produced the originals can be re-sanded and polished for an as new finish, before being reclaimed.

Om

This piece does not have the ruling planet, nor any markings as it is used solely to create new pendants:

Virgo

The simplicity of the design is part of the beauty, the proportions of the Taurus are particularly pleasing.

Taurus

This piece is an enigma.  Carrying the DP mark it must belong to someone, but no paperwork exists to verify the owner…

Desperately seeking someone.

 

Zen and the Making of a Workshop

24 Hercules St
May 14th, Thursday (1992)
20:30

It is the hottest day of the year so far and the sun is setting behind the garden across the street, in among the houses.  My window remains wide open and a small rosebush on my desk with a single tiny red flower has been treated to dew from a spray.  The droplets sparkle, and beside it bubbles slowly rise from a glass of freshly poured cold beer.

Resting on it’s beechwood side is the drawer from another desk which I have rescued from the street. It’s mahogany front hooks over the back of the desktop and in front of me is attached a beechwood wedge with the keyhole shape cut away.  My saw frame rests over this, the blade already tensioned to a top A tone, ready to cut a pattern disc from an aluminium sheet.

The next template will be for the Cancer pendant for my son’s birthday at midsummers day – he’ll get it as soon as it’s ready.

There are three candlesticks, a mug full of pens and tools for the silver, and a balsa wood fish from Ecuador!

—————–

The draw remained Prags’ workshop for the next 20 years.  He brought it with him to Blair Close where it was mounted on a round conference table (purloined from Gerald Ronson) supported on wooden wine boxes.

The set of tools has been expanded to include doming blocks and punches for the production of ear-rings.

Art and Tools

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Some Smart-ass once said that art shouldn’t be a mirror to reality, rather a hammer to shape it.
Me, I like hammers; Mallets and gavels are OK too; A beetle and wedge is very satisfying…
And the all-time favourite is the wrecking bar, being a lever with a built-in fulcrum… and claws!

“When I hear the word ‘culture’, I reach for my gun”. Malcolm Muggeridge got it right: “When I hear the word ‘Gun’ I reach for my culture”

Exercise for Children:
Take ≤ 1 hammer, ≤ 1 Kg assorted nails, and ≥ 1 short log; Place log end grain up; Stand well back.

Dear reader, gr…

Aside

ImageDear reader, greetings from the past.

Blessings be upon you and your, you are loved.

Forgive my confusion; imagine my problem:  as I write, no-one knows any of this, and as you read perhaps you already know what I am trying to say and reading it critically.  I am writing for 3 audiences at once, my own time and language – in translation now – and the rest of you.

As writing goes, this is not so much Science Fiction as Art Faction.

SF?  Certainly.  AF? Definitively.
SF?  Oxymoron.  AF?  We’ll see…

Real artists don’t care about money [Money isn’t real].   Money doesn’t care.
Time passes.

As time passes some art becomes worth money.
Art doesnt care about money.
Money doesn’t care.

Time passes.

What’s it all about?

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Can the concept be summarised with a snappy sentence? Prags wondered about this…

  • The ultimate communist money making machine & the capitalists can play too
  • The aim of the game is to make more money than we need and more than we can give away and have a laugh all the way
  • An artistic equivalent of the Manhattan Project
  • Opportunity knocks…  ACME Arts sits on the step and occasionally sniggers…
  • A straight business more profitable than crime
  • The money for tomorrows drugs
  • Something better to do
  • Right livelihood
  • Pragyan’s practical guide to now/where.
  • When money is something made by peasants, vagabonds, orphans and artists the banks will be cleaner.
  • A pension you can wear.
  • A better way of doing business.
  • How to bullshit an easy existence for yourself and those around you.  Is peace what you want?

Astrological designs

Since 1974 I have been making silver pendants with astrological designs.  The first were made as presents for friends and I have never been able to keep up with the demand for them.  I am investigating a consistent production system to meet the demand on a commercial level.


Some “handmade in meditation” pieces will still be available, I will be happy to share the techniques with others interested in working that way, provide practical help with obtaining tools and materials, and co-ordinate hallmarking, polishing and distribution services.

The designs are based on astrologers written symbols for the sun signs and their ruling planets; giving a timeless beauty and international simplicity, equally acceptable for astrologers and the uninitiated, and being set in a circular frame they are comfortable to wear.

 

CARMA Communiques #10 -11

#10 – 1997

What is Art?

What is Money?

And what of their relationship?

The CARMA membership tokens (which are numbered reproductions of an original piece entitled “A Singular Currency”) are the beginning of a series of works of art to explore these questions.

An exhibition (will have the title “Zen and the Art of Making Money…”):  It’s catalogue will include a workshop manual to reproduce them and be published as a book of the same title.

The market in these works is part of the work itself, surplus funds generated will be used to fund a trust, using the name “ACME” (for Arts and Crafts Made Easy), it’s disbursements to be discussed at CARMAs Annual General Meeting on the 1st of April.

#11 – 1997

Those who received the first years production of ‘Kin’ell Bank coinage are all familiar with my work in silver since the mid-seventies, and will see some connection in the format.  This is an attempt to trap in words some aspects of the design which takes it beyond what has been done before.

Possession of one of these pieces makes you a member of CARMA – the CAmpaign for Real Money Again – which is part of a series of artworks and explorations on the relationships between art, money and time.

There will be an annual general meeting of CARMA on the thirst of April at which questions can be asked on matters not explained here.  This year’s (1997) AGM will start at about seven in the evening at Dingwalls Bar at Camden Lock.

“Zen and The Art of Making Money…” is the title of the book to be written which will go into greater detail; it is also the title of the exhibition which is as yet a fantasy.  The book will provide a full workshop manual from which the whole can be created.  Thus it is a self replicating system.

The CARMA membership token / ‘Kin’ell Bank coinage is a fractal fragment of a series of sculptural pieces in silver.  The basis of the deisgn is a figure One suspended in a circular frame carved by hand from solid sterling silver, the One and Zero to which all conventional “Money” is reduced in computer accounting.  The reverse shows the hallmarks indicating the year of origin and confirms the quality of the metal.  There is a number in binary symbols unique to each piece as on limited edition works of art and banknotes.  The “Makers MArk” is the equivalent of a signature.

One “Coin” can be used as a template to cut more.  Workshop boxes with the tools, materials and instructions to make more of these and other pieces will be part of the exhibition and will be available to buy or rent.

The Singular Currency

December 1996

To whom it may concern:-  Happy Christmas and a Prosperous New Year!

Some explanation of the nature of the ‘Kin’ell Bank coinage now or soon to be in your possession.

It is a fragment from a series of works on the relationship between art and money, and the market in them is part of the whole work.

The silver disc is a traditionally traded form.  The singular currency is solid sterling silver, with holes carved to define a figure one inside a zero.

One sculptural piece will consist of a troy pound (373 gms) of these discs spilling from a purse, and entitled “One Pound Sterling”.  To make one of these anyone can collect my pieces until they have enough; if other people make them to the same design it could happen faster.  The piece you already own can be used as a template for a cutting pattern and you or someone you know could be a participant.

Two side products of cutting discs from a sheet are also raw material for two tradeable art works; the pieces from between the discs can be domed and become fuchsia bell earrings, a market tested design;

The pieces sawn from the discs to define the one and zero that give the disc it’s value, can be collected to be fused into a single piece (of 373 gms) to be titled “One Pound of Holes”, a sculptural piece at the same prices as “One Pound Sterling” and to be displayed alongside.

A full workshop manual for these pieces will be included in the exhibition catalogue and published as “Zen and the Art of Making Money…”, and part of the exhibits would be complete workshops to buy or hire.

The singular currency has the potential to be a LETS (Local Exchange Trading System) currency for buying and selling any work by artists and craftspeople; it is possible for instance to trade your coins for an equal weight of my work in any design as full and fair payment – in a sense it’s a “market future token”.  Buy one of my coins for a present to someone else and it gives them a choice to keep it or commission a piece of their own design, a gift token.

Anyone who has tried to get me to make something for them by offering ordinary money will know how slow that can be; payment in “New Sterling” as it could be called would jump the queue over payment by conventional means and give a stronger motivation to get it done at all.

This whole work is designed to raise money to be used to get my other designs realised, and includes using a proportion of any eventual profits to support a trust fund, for any artist short of the readies, using my trade name of ACME expanded to Arts and Crafts Made Easy.

The current fantasy is a place on Upper Street, Islington, as a combined cafe, art gallery, workshop space, lending library for books and tools…; a shop-front, an interface between artists and the market-place whose existence and functionality would be part of the art-work itself.

Meanwhile the silver work can support my other ideas on their way to market – sculpture, T-Shirts, furniture, etc etc.

Another aspect of ownership of this little work of art is it’s function as a “membership token” in the CAmpaign for Real Money Again, which abbreviates to CARMA;  the exact constitution and legal framework are still a matter of speculation.  One proposal is that it should be governed by an AGM to be held on the 1st of April, All Fools Day; another is that not less than 10% of all retained profits should be blown on holding the AGM at an interesting place with your membership token as a boarding pass…

This year shall we say meet in the pub by Highbury and Islington tube and set off at 1 o’clock to look for the perfect pub by the water for next years meeting to start?

So what do you get for 1996 from Pragyan?  There are 32 discs hall-marked with that date on, to be numbered from 25 to 57, or to be more exact from 11001 to 111001, so you get your choice of number for the piece to keep you collection complete – and of course this handsome signed and numbered piece of paper which shall of course be essential for the serious collector at a fancy price some fine day at auction.  And the price it goes for is all part of the work…  Ho! Ho! Ho!

Love, Pragyan

COMING SOON:- Your chance to choose a number from 111010 upwards for 1997.

Zen and the Art of Making Money – SMEACA

Situation:  We’ve all grown up in a world distorted by the conflicts between capitalism and communism.  Now?  One down, and one to go.

Mission:  To set up a system of exchange compatible with the current insanity & future realities.

Execution:  The introduction of “handmade in meditation” silver coinage whose value as works of art ensures easy exchange with old money.

Administration:  Acme Silver is registered at the Assay Office for Hallmarking and will give access to others.

Communication:  Finished work, tools and materials are all small enough to post, the mails reach all parts of the world.

Any Questions?:  deva.pragyan@btinternet.com

now read on…

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Do you sincerely want Right Livelihood?    The CAmpaign for Real Money Again (CARMA) offers You FREE MONEY!

Not only today – for ever!!!

CUSTOMERS & COLLABORATORS REQUIRED.

There are those who charge money to teach (Erhard Seminars Training, Transcendental Meditation, Scientology etc) on the principle that people don’t appreciate what is given for free.

One way in which Rajneesh’s offer of Sannyas appealed to me was that the mala, the name, and darshan were all free.  Of course you could pay money for lectures, meditations, groups and so on; the essentials were free.

It seems that no-one has yet used the technique of paying people to mediate!

The K’in’ell bank is now open for YOU to make as much money as you want – in meditation.

And…  if that sounds selfish, while you’re at it, you’ll help save the whales, the rain forests and the ozone layer…  AND end the exploitation of one man by another…

BUT THERIOUSLY FOLKTH!!! IT PAYS TO MEDITATE…

now read on…

[You can never repay all the kindness you receive in this world  you can try to keep up with the interest]

The meditation can be done anywhere.  In your own home, in your favourite bar or cafe, on a park bench, walking in a forest, sitting on a mountain top, in the market place; and if you want to travel the taxman will help you do it in style.

Everything you need can be supplied though the post, instruction in the techniques takes only an hour or two (exploring the limits will take a lifetime).

“You cannot make the revolution – you can only be the revolution” – Ursula le Guin.

“If you want to change the world, start by rolling up your sleeves” – Ancient Chinese wisdom.